{"id":4665,"date":"2016-10-13T14:57:36","date_gmt":"2016-10-13T13:57:36","guid":{"rendered":"https:\/\/www.city-academy.com\/news\/?p=4665"},"modified":"2024-10-16T12:41:35","modified_gmt":"2024-10-16T11:41:35","slug":"what-we-love-about-acting","status":"publish","type":"post","link":"https:\/\/www.city-academy.com\/news\/what-we-love-about-acting\/","title":{"rendered":"What We Love About Acting"},"content":{"rendered":"
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We ask our students, theatre company members and tutors what they love about acting and what it means to them.<\/span><\/strong><\/p>\n

From\u00a0screen acting to\u00a0musical theatre, they tell us in their own words why they love performing and when they were bitten by the acting bug. We find out the importance of silliness and play, and how working as actor can feel a bit like being Indiana Jones! Read on for the full story...<\/p>\n

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\"elizabeth

Lily Cadwallader in costume, by Alexandre Singh<\/p><\/div>\n

Elizabeth\u00a0Cadwallader<\/strong><\/p>\n

Games of Thrones actor, specialist in clown, and City Academy tutor<\/a><\/em><\/p>\n

I knew I was an actor before I ever stepped on stage or did any acting. I told my mom as a child that this is what I would do, I don't know what made me so certain but it's still what I do now. Even though it's a hugely competitive industry, if you have that inclination, you will probably be drawn to it and it will probably never go away until you explore that part of yourself.<\/p>\n

What pulls me into acting is that it is a way to explore life and human emotion. I love observing behaviour and using it in my characters.<\/p><\/blockquote>\n

Quite often, I'll have a song that I listen to on the side of the stage that connects me to the character. But ultimately, to play another character, you have to know yourself<\/em> well and that can be a scary process, but also very useful. Because acting is like a form of therapy and I especially find this is true when I get to be angry in my role - I come off stage and feel strangely relaxed afterwards. It is both facing yourself and 'getting out of your own head'.<\/p>\n

Also, it's about being playful. Most actors, whatever their age, are connected to their inner child - something we can lose as adults. When teaching, I like to start off with games that hopefully shake off the day and let the silliness flow. Silliness is a big part of my teaching, and I also think it's important in life.<\/p>\n

It\u2019s really healthy to laugh at yourself. To be a clown is to be a beautiful idiot and to take away all the masks we put on ourselves to get through life, it's about getting to the core of what makes us individual and beautiful. Comedy can highlight issues in the world in a way that is very accessible, it can put a mirror in front of you without you sometimes\u00a0even realising it.<\/p>\n

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\"City

City Academy tutor, Simon, in character<\/p><\/div>\n

Simon Wegrzyn<\/strong><\/p>\n

Actor, screen and stage director,\u00a0and City Academy tutor<\/a>
\n<\/span><\/em>
\nI was an athlete for many years. I used to run 100m sprint for the Team GB Youth Team. It was a very competitive environment, and I was young and still had that need to play and be silly. So I joined lunch time drama classes at school. I was doing it for a laugh, until I decided to take drama at GCSE level and met one of the most influential people in my life - my teacher.\u00a0We explored Shakespeare and Brecht, Physical Theatre and Devising, and went on some extraordinary theatre trips in\u00a0her classes. I'll never the forget the moment when I took one of the first practical exams, and she told me that I must audition for the National Youth Theatre.\u00a0That was the start - I got in\u00a0and have been acting ever since.<\/p>\n

For me, it is a great adventure. I often compare the role of actor to that of Indiana Jones! It's a multi-sensory, multitasking job filled with endless possibilities.<\/p><\/blockquote>\n

I particularly love the character development process, from image to physicality,\u00a0creating the tiny details. I'm also a great advocate of trial and error - a rehearsal room is the safest place for an actor to experiment and make mistakes before putting the final thing\u00a0in front of an audience. Try an idea. Did it work? No? Try again, and don't be afraid of the result.<\/p>\n

At the moment I'm obsessed with Drag Queens, and in London they are especially eclectic. I've seen some really radical and inappropriate material! But what really inspires me is their passion and drive for self-expression and self-love. They push boundaries! They're a sarcastic spoof on culture which allows us to laugh at ourselves, and address a few problems too.<\/p>\n

Acting is storytelling. I always say to my students that you cannot act until you have mastered the art of telling a story. As children we grew up enchanted by stories and in adulthood they help us understand the world around us. So as actors, we can connect to an audience, and have the power to challenge and inspire their behaviour, if we find the truth, the heartbeat of a story.<\/p>\n

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\"laura

Laura performing for our musical theatre company<\/p><\/div>\n

Laura Yates<\/strong><\/p>\n

Performing Arts teacher, and City Academy musical theatre<\/a> student
\n<\/span><\/em><\/p>\n

By day, I am Head of Performing Arts at an inner city secondary school in west London, so it\u2019s nice to turn things on the head and be the student once a week, leaving my day behind and becoming another person. <\/span><\/p>\n

Through the acting element of musical theatre, I am reminded first hand of how hard it is to be in that position - to learn lines, remember queues and direction, create and perform a character, all the while hiding your nerves. Actually u<\/span>p until joining City Academy, I hadn't performed for about ten years, so being back on stage has helped reignite my passion for the subject I teach daily.<\/span><\/p>\n

And\u00a0nothing can compare to that\u00a0sense of camaraderie when you put on a show, from onstage banter to the behind-the-scenes friendships you forge.<\/span><\/p><\/blockquote>\n

Musical theatre combines two of our oldest and most loved art forms - storytelling and music. It\u00a0draws on fantasy just as much as reality, so the possibilities are endless. E<\/span>ach rehearsal is different. Some weeks it's blocking scenes and then it could be harmony work. Personally, I\u2019ve always been more competent with acting and dance, but lacked confidence with singing. So the multidisciplinary nature of the genre, and having technical singing sessions as part of working towards a show, has really helped me to develop as a performer.<\/p>\n

This year I have been a baker's wife in a magical forest, a medieval courtier, and the hard done-by missus of Santa Claus himself. When the moment or emotion is just too big to convey through words alone, cue an orchestra, lights, smoke and a chorus of singing dancers. We don\u2019t question it - that\u2019s just musical theatre, and it\u2019s great.<\/p>\n

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\"paul

Paul Amery, City Academy acting student<\/p><\/div>\n

Paul Amery<\/strong><\/p>\n

Interim Project Manager and City Academy acting<\/a> student<\/em><\/p>\n

I enjoy films about anger and redemption like \u2018This is England\u2019 by Shane Meadows, it just makes you laugh, cry and ache, it's so beautifully true.<\/p>\n

I grew up in a tough\u00a0foster care home and lads like me can carry this intense frustration, wanting to tell that story somehow - of the addictions, the fights, but ultimately of learning to love.<\/p><\/blockquote>\n

My life, my job, has always been very full on, hard work, intense, 'serious', like a lot of people.\u00a0Acting feels the opposite - learning to let go. You know? I run my project management consulting firm and basically\u00a0spend my time 'getting stuff done' for clients. Acting is catharsis, yes. Time just slips away and that's reward in itself.<\/p>\n

I feel\u00a0silly\u00a0doing warm-up exercises, but I love it come the end. It represents freedom to me. I like simply being able to re-learn how to just 'play' as a 45 year old man. I can now say 'the tip of the tongue, the teeth and the lips' with precision!<\/p>\n

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From classes suitable for complete beginners<\/a>\u00a0<\/strong>to more intensive training at our weekend Drama School<\/strong>, there's something for everyone here.<\/em><\/p>\n

Find out more about adult acting\u00a0classes at City Academy<\/a><\/strong>, with over 15 courses, workshops and techniques to explore,\u00a0taught at more than 40 locations<\/a><\/strong> in central London.<\/em><\/p>\n

And, if you're particularly looking for\u00a0the opportunity to perform on stage, you can always check out our Theatre Companies<\/a><\/strong>, available for different ability levels and on various\u00a0days.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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